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The Empress represents the Universal Womb, in which all manifestation is gestated. As I have said before in past blogs, she is the Path of Daleth (means-Door) that spans between Chokma (All Father) and Binah (All Mother) and is a Transitional state of Psychic Energy. The 2nd Sephiroth-Chokma, is a Hebrew feminine noun, and has the capacity to emanate the "Pure female" (called Virgin Goddess); However, the 3rd Sephiroth-The Empress/Path of Daleth, is the merging of the Intelligent Energy states that are masculine and feminine; of Chokma and Binah. She is pregnant with a balance of incubation and passivity. It is this Door/Daleth that effects the transition from One into Many, thus being the Gate of Heaven.

I have always called the Empress, "The Womb with a View" as she transforms thoughts by association into all ideas that are willed into form. She represents both the Universal Mother and Earth Mother, and every culture, ancient and new, has some form or name for her; hence she is often called the Divine She of 10,000 names. We moderns, thanks to Carl Jung, call her the Universal Collective Unconscious. To the ancients She is the Mother of Gods, usually symbolized as the Moon, which is both light and dark, life and death and to the ancient Irish she was Sheela Na Gig. She often gives birth to an intermediary deity, such as Christ, Osiris, Mithras, Odin, Apollo, etc., usually Sun gods who rule the earth in her name.

Sheela Na Gig is a distinctive figure found in medieval stone carvings, primarily on churches and other structures in Ireland, and occasionally in other parts of Europe. The carvings usually depict a naked female figure with exaggerated genitalia, often in the act of exposing herself. While the meaning and origin of these figures have been debated, Sheela Na Gig is commonly associated with fertility, protection, and warding off evil.

Key Aspects of Sheela Na Gig:

1. Symbol of Fertility: Many scholars interpret Sheela Na Gig as a fertility symbol, representing the power of female sexuality and the creative forces of life. The prominent display of her vulva may symbolize the generative aspect of femininity and the cycle of birth and death.

2. Warding Off Evil: Some historians suggest that Sheela Na Gig carvings were intended to protect against evil spirits, acting as apotropaic figures. The grotesque or shocking nature of the image may have been believed to repel negative forces or bad luck.

3. Medieval and Pre-Christian Influence: While the carvings are mostly from the medieval period, some believe Sheela Na Gig has roots in pre-Christian, Celtic beliefs. She may represent an ancient earth goddess or a sovereignty figure tied to the land and its fertility. Her link to older traditions can be seen as part of the larger European trend of integrating folk beliefs into Christian iconography.

4. Debate on Meaning: There are competing interpretations of Sheela Na Gig’s significance. Some view her as a figure representing lust and sin, a warning against carnal desires, particularly in a Christian context. Others argue that she represents female empowerment and the sacredness of womanhood.

5. Cultural Resurgence: In modern times, Sheela Na Gig has been embraced by feminist and pagan movements as a symbol of feminine power, sexual autonomy, and ancient goddess worship. Her image can be seen as a reclaiming of the body and sexuality, particularly in a society that has often repressed or shamed these aspects.

The exact origins of Sheela Na Gig remain mysterious, but her connection to fertility, protection, and the feminine principle continues to inspire interpretations and celebrations of her form in contemporary culture.

To modern parapsychologist, she is the symbol of the outer and inner woman. The vulva gateway into the deep dark depths of the collective unconscious which upon entering the outward self-dies, while the outward birth of the feminine wisdom we call "life" exits the vulvic gate.

At this high-Supernal Triangle-stage (upper 3 Sephiroth-Super conscious) on the Qabalistic Tarot Tree of Life, words are always metaphorical, and the pictures alone unconsciously communicate a great deal of information about the forces and invisible forms more than any word can conceive. Thus, it is recommended that these Trump and/or Major Cards be used as mandalas for meditation. The Thoth Tarot also uses sacred geometry, along with alchemical, astrological and Qabalistic symbols, which stimulate subjective thought.

The Empress is often called the "Mother of Light" since the Dark Fiery Energy of Chokma, enters the Womb that is the High Priestess, who gestates the egg of Akasha, while The All Mother as the Empress passes through Her as a "birth-door" (Vulva), the form of light that we can see. Hence, she is often seen drawn on traditional tarot with a light face (Empress) and dark face (Priestess).

Juno

One often finds that the Thoth Tarot concentrates more on Visible Light, while the 3rd Sephiroth Binah is shown as a black Sephira, "a light emitted by an anomalous sun, nocturnal and dark." Therefore, the Empress is both light and dark and as did Juno/Janus the Roman Goddess and later God of communication (the Latin janua means door) which is the passage of ideas and was said to control the affairs of men. The Roman patriarchal-two faced god, Janus was originally the goddess- Juno, who bore the "Gate of Heaven" title of the Sanctuary Screen in Christian Churches, derived from the yoni "gate" of Juno that was "veiled" by the hymen (a god) in her own Temples.

From Wikipedia, the free encyclopedia: Hymen (god)       

God of weddings, reception, marriage Mount Olympus Bridal torch Apollo and Clio, Calliope, Urania, or Terpsichore; Aphrodite and Dionysos Priapos Hymen

Hymen (Ancient Greek: Ὑμήν), Hymenaios or Hymenaeus, in ancient Greece, was a god of marriage ceremonies, inspiring feasts and song. Related to the god's name, a hymenaios is a genre of Greek lyric poetry sung during the procession of the bride to the groom's house in which the god is addressed, in contrast to the Epithalamium, which was sung at the nuptial threshold. He was one of the winged love gods, Erotes.

He was the son of a muse, Clio, Calliope, Urania, or Terpsichore.

   As the "god of Weddings" the female hymen, really needs no great explanation of human sexual traditions.

As a personification of the Gate Way to Heaven, Juno had two outwardly facing faces, one for Life and the other for Death. The Tarot Empress is also known as Mother Sun and Mother Moon (Thoth Priestess) ...they are both the same metaphoric description of the Intelligent Energy that builds Worlds out of Light through the gestating power of Knowledge and the birthing power of Understanding.

Yet, the primary goddess-form related to the Empress is Venus-Aphrodite, who in Greek Mythology arose from the Ocean, naked riding a scallop shell. Whenever she stepped on land flowers grew, and thus we also know the Empress in terms of luxurious proliferation making each facet of Nature so beautiful and compelling that we can be in danger of losing sight of the whole by the dazzle of the parts. This losing sight of the woman due to the dazzle of her parts is about what many men do when viewing the female human body----as spirit, Fiery energy, we supply the whole of emotion (energy in motion) to our forms, but often the individual emotional parts called "feelings" become so hypnotic that we forget the Whole Self for the focus of the parts. We become servants to what dazzles us with beauty and forget that we are The Beautiful Dark that Operates "The Forms veiled in Light".

It behooves us to state: "I AM the Spirit and thus, the Life of the Body". Hence, Life is what I AM, and the "alive" is but a simulation of what I think I AM.

As Aphrodite-Venus, the Tarot Empress is the Goddess of Love. In fact, the symbol of Venus encompasses the entire Tree of Life which expresses the truth that Love of form, is the formative energy of the Tree of Life---i.e. The Universe: However, Venus may be subjective in the Supernal Triangle, but She is also objective as a Sephira--Netzach which is a part of the Astral Triangle of Personality.

There is a very profound mystery here, as there are three planetary forces that find their objective expression in the Sephira low (meaning density) on the Qabalistic Tree of Life while their subjective expressions called paths, are found at the opposite extreme of the Supernal Triangle, [Hod-Mercury, The Magician; Yesod-Moon, The Priestess; and Netzach-Venus, The Empress]. To me the mystery of Life and the Alive finds a solution here. Remember that Life loves its forms....as any mother knows, the child is more important than anything else to her! The Empress expressed thought into mindscapes called planes/ideas and ideas coolest into forms by her law of attraction (love) and through the administration of the Sun- center energy of Tiphareth (6th Sephiroth/Beauty- The I AM psyche we call our Soul.

The Divine Creative (0=2) creates the universe by continuous thought and/or infinite dream, and as "God's Image" and/or demiurge, humankind creates reality by constantly thinking outside of the Cosmic dream and dreaming their own self-image. Hence the Dreaming Divine Creative dreams an awake "other" Divine Creative to act and transform the self-dream of the Cosmic Dreamer. The study of the Empress card is indeed needed for the Self-Knowledge of the student Qabalist who finds the Above self (Empress-Chokmah) and incorporates it into the awareness of the below self...I AM the active Divine Creative.

I am the love of being, that creates being so I can be intimate with the dream as "other" and/or lover.

-Eli

In Tarot- key 3, The Empress, is the symbol of the universal principle of love with wisdom. She is a symbol of our ability to extend love and receive love. In Jungian psychology, she is the anima, the feminine nature.

Carl Jung's concept of the Anima represents the unconscious feminine aspect within a man. In Jungian psychology, it is one of the key elements of his theory of archetypes and the collective unconscious. The Anima functions as a bridge between the conscious mind and the deeper layers of the psyche, often appearing in dreams, fantasies, or projections.

The Anima can manifest through a man's emotions, intuition, and relationships with women. Jung believed that integrating the Anima is crucial for psychological growth and achieving balance between the masculine and feminine energies within. In men, the Anima evolves through four stages, often symbolized by different archetypes: Eve (biological), Helen (romantic), Mary (spiritual), and Sophia (wisdom). Fully integrating the Anima allows for a deeper understanding of the self, emotional wholeness, and the development of creativity and intuition.

His-story is about outside world of competition, a hero's journey and Her-story is about the inside world of love, emotion and intuition, the heroine's journey. It's impossible to even conceive of the idea of Feminine without experiencing the heroine's journey.

The Heroine’s Journey is a narrative model that describes the inner, transformative journey of a woman or feminine archetype. While the Hero’s Journey (popularized by Joseph Campbell) focuses on external adventures and achieving heroic feats, the Heroine’s Journey, first articulated by author Maureen Murdock, emphasizes personal, spiritual, and emotional growth, particularly related to reconciling the feminine and masculine aspects of the self. This journey reflects the deep internal struggles many women face within themselves and society, as they seek self-identity, empowerment, and wholeness.

Key Stages of the Heroine's Journey:

1. Separation from the Feminine: The journey often begins with a rejection or disconnection from the feminine aspects of life. In a society that rewards masculine traits (logic, achievement, independence), the heroine may feel pressured to suppress her intuitive, emotional, or nurturing side in favor of success and recognition.

2. Identification with the Masculine: The heroine adopts masculine qualities and strives for success in a patriarchal system. She may feel empowered but disconnected from her true essence, leading to a sense of emptiness or imbalance.

3. The Road of Trials: On her path, the heroine experiences challenges that push her to question her choices and the suppression of her feminine side. These trials may include relationships, career struggles, or inner conflicts that force her to confront her deeper emotional needs and identity.

4. The Descent or Initiation: Often marked by a crisis or "dark night of the soul," the heroine undergoes an emotional or spiritual descent. This phase involves facing her shadow, fears, and wounds, particularly related to her disconnection from the feminine. It's a period of deep introspection and transformation.

5. Reconnection with the Feminine: Through this descent, the heroine begins to heal and reclaim the parts of herself that were repressed. She embraces her feminine qualities—intuition, compassion, creativity, and emotional wisdom—finding a new balance within herself.

6. Integration of the Masculine and Feminine: The heroine’s ultimate goal is not to reject the masculine but to integrate both masculine and feminine energies. This balanced integration leads to inner wholeness and authenticity, where she can express both independence and nurturing, strength and vulnerability.

7. Return with a New Understanding: Having undergone a personal transformation, the heroine returns to the world with newfound wisdom. She may use her insights to help others or to navigate her life with a deeper sense of purpose and fulfillment, no longer defined by societal expectations but by her true self.

Themes of the Heroine’s Journey:

• Healing the Mother-Daughter Split: A common theme is healing the divide between the heroine and the feminine lineage, whether symbolized by the literal mother or the collective feminine experience.
• Embracing Cyclicality: The Heroine’s Journey often acknowledges cyclical rhythms of life, such as birth, death, and renewal, embracing nature’s cycles and the ebb and flow of personal growth.
• Empowerment through Wholeness: The journey is not about external validation or success but about finding inner wholeness, honoring both the masculine and feminine aspects, and living in balance with one’s authentic self.

The Heroine’s Journey offers a framework for women, or anyone identifying with feminine energy, to navigate the challenges of a world that often prioritizes masculine ideals while reclaiming the value and power of the feminine within themselves.

My Anima took me as if I was the Sumerian Inanna to meet my Ereshkigal deep within the darkest depths of the Unconscious... after this arduous journey and great venting and striping away of my "false self" I descended from the underworld back into the "light" as a we and/or became the lemniscate- 0=2. No male can ever be a magus until She takes, he into her dark vulva where he becomes imitated into the Divine Feminine, masculine falsehood dissolving and then he coagulates into the Divine Androgyne.

As seen on the Thoth card, the moon is a western symbol for the feminine-magnetic-nature that is receptive to the male-electric-expressive-nature, usually symbolized as the sun. The images of the Moon waxing and waning, on the Thoth Card represent the dual faces of the Empress, Life and Death.

The blue lotus, which is represented on the Thoth Empress card, is the Eastern symbol for wisdom. She is the yin energy of the orient. Key 3 reminds us of that love with wisdom is the capacity to nurture and support ourselves in equal proportion to how we nurture and support others. The Pelican feeding her young from the blood of her breast represents, the mother's blood that nurtures us all, for our flesh is made of Mother's blood, as is our very blood. There is no "male blood" in this world, or the Universe.

The Qabalistic Tarot- The Empress-Key 3, is attributed to Daleth, the Hebrew letter that means Door, and is ruled by the vibrations of the Planet Venus.

On the face of it, the Empress ATU-3 is a compliment to the Emperor-ATU- 4, and the cards for the Thoth Tarot ATU/Key 3 and ATU/ Key 4, are designed so that the Empress and the Emperor face each other. However, the Empress's attributes are more Macrocosmic and Universal as compared to his more Microcosmic and material attributes of the emperor, yet they are inseparable.

The path of Daleth-The Empress (on the Hermetic Qabalah Tree of Life) unites the All-Father and All- Mother, Chokma (2-Wisdom) and Binah (3-Understanding). Despite the number sequence, this is not saying one came before the other, rather Chokma -Wisdom and Binah- Understanding are inseparable and simultaneous. For when the Kether (Crown) became I AM---so became existence which is the United combination of Feminine and Masculine.

Also showing this spontaneous union of the Divine Anima and Animus there is the astrological symbol of Venus, on the bottom right of the Thoth Card, which is the only planetary symbol that comprises all the Sephiroth on the Tree of Life. The Doctrine implied here, is that the fundamental formula for the Universal creation is Love (The Law of Attraction). 

The Magnetic Womb, and Women is difficult to summarize in one word. Therefore, the Greek quote. "Many-throned, many-minded, many-willed, daughter of Zeus", points us into the direction of the mystery that is "The Womb with a View" (I-magi-nation).

The Empress is both the Highest Spiritual and lowest of material qualities (as above, so below) as she is the Mother of Form on all planes of existence while she is also the Alchemical SALT which is one of the three forms of alchemical energy (Mercury and Sulfur are the other two). Salt is seen as the inactive part of Nature (Womb-egg) that must be stimulated by Sulfur (Phallus-semen) to maintain the whirling (spiral) equilibrium of the Universe. The Arms and torso of the Thoth Deck Empress illustration consequently suggests the shape of the Alchemical symbol of Salt, as shown above.

The Empress Tarot card shows a woman in crown, Hathor, the Egyptian "cow goddess", from whose teats leaked the Milky Way. On the Thoth Card, her throne uprights suggest blue twisted flames symbolic of Her birth from Water, the Feminine Element that is Magnetic.

Clutched in the right hand of the Thoth Empress stands a Lotus of Isis; suggesting the Passive Power of the Feminine (the Power that Contains). The roots of the Lotus are on the Earth beneath the Water itself, but its petals are open to the Sun, suggesting the belly of the chalice, i.e., the Holy Grail. She is then the Living Form of the Holy Grail ( Graäl) that is sanctified by the blood of the Sun (the Sun ejaculates energy which she accepts; semen is of blood). Perched on the Thoth Empress's Throne uprights are a sparrow and a dove, her most sacred birds. On her robe are the Royal Bees and dominoes surrounded by continuous spiraling lines. Her girdle is the Zodiac. The symbol of the Womb's Love of Form is everywhere similar on this card.

The tapestry beneath the Thoth Empress's Throne is embroidered Fleur-de-lys and fishes (fishes being the symbol of the First Matter) and the Secret Rose which is at the base of the Throne. This is the Rose-Mari, a sacred symbol/Grail of the ancient Goddess Mari-The Ocean Goddess, who was seen as the Womb of all Life on Earth. On this card there are no contradictions; Therefore, what seems to contradict are held in equilibrium by the revolving moons shown on this card.

The heraldry of the Empress is twofold. On her right is a Pelican feeding its own young with blood from its heart. On her left, is the white Eagle of the Alchemist-The Philosophic mercury which symbolizes the "first Matter" and/or "first semen"(Meditation and study, will clarify the deeper meanings of this Heraldry). The Pelican can be identified as The Great Mother, whose "heart's blood" nurtures her offspring as her "Daughter/Queen who becomes many".

The understanding of this Western Hermetic symbolism is as deep as the Ocean, and that is the why and wherefore of path initiations. Love is not a human emotion for it emotes form the Ocean of The Universal Collective Unconscious, from which all Life became. To seek love is to deny being love; we are Love who Creates Itself as off-spring, i.e., "Self-Reflection".

When the Empress Tarot card turns up in a reading, the querent is:

• Reminded that the power to give love and receive love comes from deep within us and is our natural inheritance from the Divine. 
• Creative, and intuitional.
• Of a seductive happiness.
• Of an idealistic and dynamic nature.
• Of abundant and nurturing nature. 
• If Ill defined:
• Shows the inexperience of an adolescent.
• Turmoil within.
• Presumptuousness.
• Maliciousness.

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